ADMIN NOTE: Mark Schlatter has been skydiving into Bristol Motor Speedway for some 10 years now — and every time he does, it’s an awe-inspiring event. Below, Mark takes us step-by-step through his jump into “The World’s Fastest Half-Mile” for the recent Sharpie 500. And not only does he tell us about it… he shows us! At the end of his story you’ll find an incredible and breathtaking video, which gives fans and viewers a behind-the-scenes and up close view of what it’s like to enter the 160,000 seat stadium from high above the half-mile oval. Make sure you turn your volume up and enjoy. And if you get a chance visit Mark’s web site.
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I think it’s the sound that I love the most, or maybe the visuals. Or it might be the challenging target or leaving the helicopter. One thing is for sure. Skydiving into a NASCAR event at Bristol Motor Speedway is an awesome experience!
It’s hard to describe the intensity one feels when jumping out of an airplane. For the beginner, making a skydive is the most exciting fun/fear of a lifetime. Like cresting the peak and starting downhill on the biggest, baddest roller coaster ever built … times ten!
For me now, 32 years and 5,300 jumps later, I can’t think of anything more intense than the moment when I step out onto the skid of Whit Baldwin’s helicopter, turn inward to face the pilot with my helmet-camera rolling, release my hands and just lay back as the weight of the big American flag packed on my chest carries my falling body through half a back flip. I’m in freefall and I’m looking down into a gigantic half-mile-bowl filled with 160,000 skyward faces some 4,500-feet below – and coming up fast! Wow!
There’s work to do right then. I check my wrist mount altimeter to see when it’s time to open my parachute. I deploy and it opens perfectly. So pull down a back riser to turn my canopy and face the center of the pits and check the wind. Then get the flag out and check altitude again to see whether to spin or float.
Flag’s out at 3,200 feet. Perfect. The freefall, parachute and flag deployment took 1,200 feet. There’s not much wind, so I should be able to spin down right over the pits without getting blown to far downwind. This might be my best Bristol jump yet!
I make three turns to the left. Then I remember the new ring-sight I’m looking through. I didn’t center the camera during those turns and I’m not over the center of the pits. So I glide until I’m directly above the big Jumbotron. “Now let’s crank ‘er down!”
During the next three spirals I move my head in the opposite direction to keep the pits centered in the ring-sight. After three-and-a-half turns I’ve drifted over Turns 1 and 2.
It’s time to set up a landing approach. I’ll make a big, slow 360 degree turn to the left and land on the back stretch toward Turn 3. The stands are twinkling with camera flashes as I get close enough to begin hearing the Lee Greenwood music.
The fans are getting louder as I realize that we have hit the music timing right on. I’m going to land on the very last note of the song. That’s perfect! The cheers get louder and louder. I can tell that I’ve made a perfect turn to final approach. I’m going to land right on the empty gear bag next to my ground crew holding my wind indicator on the center of the backstretch.
I can barely hear the music now, the crowd is cheering so loudly for the giant stars and stripes. I kick my feet to acknowledge their wild cheers and applause. I begin pulling down the steering toggles to make my landing. Everything is perfect and the sound of 160,000 fans almost drowns out the music.
But I can still make out the soundtrack that helped these giant stars and stripes inspire such enthusiasm from the grandstands:
“God …bless … the … U …S …AAAAAAAAAAAAAAA!
Touchdown! OK. Maybe THAT’s the best moment of all!
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